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The Efficacy of Images in the Age of AI: An Ontological Inquiry into Visual Tension
Published: 20 June 2026, Zenodo. DOI: 10.5281/zenodo.20770298.
Zenodo record: https://doi.org/10.5281/zenodo.20770298
Abstract
AI image-making has made content and style easier to adjust, yet it does not provide sufficient grounds for judging the efficacy of images. This article defines image efficacy as an image's capacity, in presentation and viewing, to affect perception, guide looking, and support the unfolding of understanding, and uses that definition to examine the relational status of visual tension. Through conceptual analysis and comparisons of process materials for Guernica and of AI images, it argues that certain visual effects are determined only within shared relations, and proposes a comparative test for whether pull and constraint constitute conditions of organization. Relational necessity, tension's conditional role in organization, and the ontological claim that tension is prior to the subject-object divide are treated separately. Visual tension earns its explanatory value by bringing relative weight and directed effect into image comparison, making the grounds for selection and revision specifiable and testable.
Keywords: image efficacy; visual tension; relational ontology; AI images; TSG.
This is the foundational first statement of the TSG (Tension–Structure–Generation) theory of image generation, published to establish priority. The full-length study is in progress:
《TSG艺术生成主义》/TSG Art Generativism — book-length study in progress.
Han Mo’s Art Theory
The Spatiotemporal Dimension of Modernity: Generalized Modernity and Indigenous Modernity
现代性的时空维度——广义现代性与本土现代性|《现代彩墨》2017 年专刊刊首语(作者自办期刊),2017|In Chinese.
The first formal statement of a two-dimensional framework of modernity—generalized and indigenous—later developed as Chapter 2 of the author's book on modern color-ink art.
Modern Color-Ink: Expanding Traditional Chinese Painting
现代彩墨——传统中国画的拓展|《美术报》“材质之美”系列专稿,2013 年 7 月 27 日第 12 版|In Chinese.
A commissioned statement of the author's modern color-ink position, written for Meishu Bao's "Beauty of Materials" series.
On Color Management and Color Culture in Color Studies
论在色彩学中对色彩经营及色彩文化现象的思考(与叶萍合著)|《芒种》2012 年第 16 期,第 235–236 页|In Chinese.
A study of color management and color culture within color theory, co-authored with Ye Ping.
Building a Chinese Manner: What Should Chinese Flower-and-Bird Painting Do?
打造中国气派——中国花鸟画何为|《当代花鸟画》2008 年第 3 期|In Chinese.
A theoretical inquiry into what a Chinese manner means for contemporary flower-and-bird painting.
Welcoming the Great Revival of Contemporary Flower-and-Bird Painting
迎接当代花鸟画的伟大复兴|《当代花鸟画》2006 年第 1 期|In Chinese.
A programmatic essay on the revival of contemporary flower-and-bird painting.
Another Peak in Li-Style Landscape: On the Aesthetics of Li Baolin's Landscape Painting
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An aesthetic study of Li Baolin's landscape painting.
看似轮回却不同——林风眠先生《我们所希望的国画前途》读后随笔|《现代彩墨》2016 年|In Chinese.
Reading notes on Lin Fengmian's essay on the future of Chinese painting, tracing the modern color-ink lineage from its pioneers.
Critics On Han Mo’s Art
Criticism
Same Pursuit, Different Exploration: An Analysis of Han Mo's Modern Color-Ink Art
一样追求 别样探索——韩墨现代彩墨艺术透析|曹玉林|雅昌艺术网,2016-12-15
A critical analysis of Han Mo's modern color-ink art, reading his pursuit of a distinct path within the tradition.
Press
Han Mo: A Free Poetic Vision in Color-Ink
韩墨:率意诗情的彩墨新视界|周宗亚|搜狐人物(当代艺盟网搜狐号),2015-07-20
A profile tracing the artist's free, poetic color-ink vision.
Han Mo: Measuring Life in Color-Ink, a Painter in America
韩墨:用彩墨丈量人生的旅美画家|中国青年网,2018-06-12
A profile of the artist's life and work after moving to Los Angeles.
Han Mo's Modern Color-Ink Exhibition Opens at Lingnan Art Museum
韩墨现代彩墨艺术展亮相岭南美术馆|余晓玲|新浪新闻(原载《羊城晚报》),2015-04-02
A report on the artist's exhibition at Lingnan Art Museum, Guangzhou.
Han Mo Exhibition Supports Huizhou's "First-Class City, First-Class Culture"
韩墨艺术展 助力惠州“一流城市、一流文化”建设|雅昌艺术网(来源:新浪收藏),2019-01-04
A report on the Huizhou exhibition and its civic cultural framing.
This Heart Resplendent: Han Mo Modern Color-Ink Exhibition to Open in Weihai
“此心灿然——韩墨现代彩墨艺术展”将于12月27日在山东威海开幕|雅昌艺术网,2016-12-15
A preview of the Weihai exhibition "This Heart Resplendent."